Tuesday, November 28, 2017

Mary Margaret's Loft

I started this series with Emma's apartment, so it seems appropriate to finish with Mary Margaret's.
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The main symbolic use of the location is to represent home/family, where it works alongside Snow's role as matriarch. Over the course of 3 1/2 seasons, the apartment has steadily accumulated people as Snow's shattered family reconstitutes itself. Season 1 brought Emma, all unknowing.
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Season 2 added Charming and Henry (and briefly Pongo), and the first suggestion that perhaps the place was getting crowded.
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Season 3 brought baby Neal. Season 4 had Emma's "sister" Elsa as a guest, and strong foreshadowing that the nuclear nest will be breaking up soon. Emma has found her home and is secure with her family; she doesn't need to stay under the same roof to reinforce that. Her life doesn't fit in a couple of boxes anymore. 
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It would be exhausting to compile a list of all of the times it's been used -- I could, that's what the note cards are for, but it would be kinda dull to read. Next time you do a rewatch, count how many times someone refers to "home" and they cut to the apartment.
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There is one moment in particular that I want to call out from S2. When they rescued Regina, they didn't take her to her own house, or to the hospital. They took her to the apartment, where she could be looked after by the Blue Fairy. Out of all of the interactions among this group, I consider this completely unremarked moment the most strongly indicative of the fact that after everything, Snow still thinks of Regina as family.
The space itself is obviously designed as the opposite of Regina's strictly modern aesthetic. Mary Margaret's space is open-plan; areas merge into one another freely. The lines are soft and rounded, largely composed of antiques, and idiosyncratic in their combination. There is distressed paint and mismatched chairs, a wood-burning stove and a general air of things that have been made by hand. Family photos appear as the seasons go on. Even the quilts are simple, and look as if they were actually made as a thrifty means of recycling old fabric rather than showpieces.
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For a contrast, just look at their kitchens.
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And of course at the general lack of mirrors. There are birds everywhere, those being Snow White's primary symbol. They appear as pillows, figurines, and the BLACKBIRD ghost sign on the wall.  The place is not messy, but it looks very lived in. The other obvious contrast is to Emma's empty apartment in Boston. There is no TV. (The only set in the entire bunch that includes a visible TV is Neal's apartment, and it's in the bedroom.)
We had to wait until S4 to see the upstairs, and I'm still not sure how there's room for everyone.
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So that's it (for now). When I started this project, I thought that it might be vaguely useful to have some kind of set catalog, for fic reference and so forth. Umpteen hours later.... There are a few locations I didn't get to, and I might continue adding to this as the series goes on.
I appreciate the thoughtful comments I've gotten from so many thoughtful fans along the way.

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